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	<title>pessoa &#8211; Facultad de Artes y Humanidades | Universidad de los Andes</title>
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		<title>Lea el número 19 de Pessoa Plural, una revista coeditada entre Brown, Warwick y Los Andes</title>
		<link>https://old.facartes.uniandes.edu.co/noticia/lea-el-numero-19-de-pessoa-plural-una-revista-coeditada-entre-brown-warwick-y-los-andes/</link>
		
		<dc:creator><![CDATA[Oficina de Comunicaciones]]></dc:creator>
		<pubDate>Wed, 23 Jun 2021 21:22:41 +0000</pubDate>
				<category><![CDATA[Humanidades y Literatura]]></category>
		<category><![CDATA[Noticia]]></category>
		<category><![CDATA[brown]]></category>
		<category><![CDATA[jerónimo pizarro]]></category>
		<category><![CDATA[pessoa]]></category>
		<category><![CDATA[pessoa plural]]></category>
		<category><![CDATA[warwick]]></category>
		<guid isPermaLink="false">https://old.facartes.uniandes.edu.co/?p=53086</guid>

					<description><![CDATA[Nuestro profesor Jerónimo Pizarro es el editor en jefe de la publicación]]></description>
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			<p><span style="color: #ff0000"><a style="color: #ff0000" href="https://www.brown.edu/Departments/Portuguese_Brazilian_Studies/ejph/pessoaplural/index.html" target="_blank" rel="noopener"><span style="font-weight: 400">Pessoa Plural</span></a></span><span style="font-weight: 400">, A Journal of Fernando Pessoa Studies es una revista académica internacional revisada por pares dedicada a los estudios del escritor portugués Fernando Pessoa. Es publicada conjuntamente por el Departamento de Estudios Portugueses y Brasileños de Brown University, el Departamento de Estudios Literarios Ingleses y Comparados de la University of Warwick y el Departamento de Humanidades y Literatura de la Universidad de los Andes. Publica ensayos, documentos y reseñas de libros de investigación y crítica sobre Fernando Pessoa desde 2012. </span></p>
<p><span style="color: #ff0000"><a style="color: #ff0000" href="https://literatura.uniandes.edu.co/miembro/jeronimo-pizarro/" target="_blank" rel="noopener"><span style="font-weight: 400">Jerónimo Pizarro</span></a></span><span style="font-weight: 400">, nuestro profesor de Literatura, es el editor en jefe actual de la revista. Por Brown, contribuye el profesor Onésimo Almeida y por Warwick el profesor Paulo de Medeiros. Pessoa Plural es una publicación de acceso abierto alojada en el repositorio digital de Brown University. Recibe artículos en portugués y en inglés.</span></p>
<p>&nbsp;</p>
<h4 style="text-align: center"><span style="font-weight: 400">Lea el número 19, primavera de 2021, haciendo clic en el botón.</span></h4>

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			<p><b>Artículos:</b></p>
<ul>
<li><span style="font-weight: 400">Richard Zenith, </span><span style="color: #ff0000"><a style="color: #ff0000" href="https://nam10.safelinks.protection.outlook.com/?url=https%3A%2F%2Fdoi.org%2F10.26300%2Fr4b3-vr39&amp;data=04%7C01%7Cla.silva1243%40uniandes.edu.co%7Cb3fdd79cbce34a0b372c08d92d2442c8%7Cfabd047cff48492a8bbb8f98b9fb9cca%7C0%7C0%7C637590456021614497%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C1000&amp;sdata=eZOsQV1iMl1el1f9tdAM2yMdek%2FATRWgGyfvjbySv1Y%3D&amp;reserved=0" target="_blank" rel="noopener"><b>An ibis that flew too close to the sun</b></a></span><span style="font-weight: 400">.</span></li>
<li><span style="font-weight: 400">Caio Gagliardi, </span><span style="color: #ff0000"><a style="color: #ff0000" href="https://nam10.safelinks.protection.outlook.com/?url=https%3A%2F%2Fdoi.org%2F10.26300%2Fgz53-sy34&amp;data=04%7C01%7Cla.silva1243%40uniandes.edu.co%7Cb3fdd79cbce34a0b372c08d92d2442c8%7Cfabd047cff48492a8bbb8f98b9fb9cca%7C0%7C0%7C637590456021614497%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C1000&amp;sdata=F%2BQ3OS2QuKzbjrSquX9jtmhgqZSKy%2F9ze1n%2BbRAX%2Fsk%3D&amp;reserved=0" target="_blank" rel="noopener"><b>A sensibilidade individualista de Fernando Pessoa</b></a></span><span style="font-weight: 400">.</span></li>
<li><span style="font-weight: 400">Flávio Rodrigo Penteado, </span><span style="color: #ff0000"><a style="color: #ff0000" href="https://nam10.safelinks.protection.outlook.com/?url=https%3A%2F%2Fdoi.org%2F10.26300%2Fywr0-ce70&amp;data=04%7C01%7Cla.silva1243%40uniandes.edu.co%7Cb3fdd79cbce34a0b372c08d92d2442c8%7Cfabd047cff48492a8bbb8f98b9fb9cca%7C0%7C0%7C637590456021624451%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C1000&amp;sdata=d8q3xdvOIKgbH8DCGDAoriRiVLcsWcb2o6Ey4a5WFiw%3D&amp;reserved=0" target="_blank" rel="noopener"><b>António Patrício e Fernando Pessoa: O “teatro escrito” à luz do “teatro estático”</b></a></span><span style="font-weight: 400">.</span></li>
<li><span style="font-weight: 400">Annita Costa Malufe / Karen Cristina Teixeira Pellegrini, </span><span style="color: #ff0000"><a style="color: #ff0000" href="https://nam10.safelinks.protection.outlook.com/?url=https%3A%2F%2Fdoi.org%2F10.26300%2Fatf9-m226&amp;data=04%7C01%7Cla.silva1243%40uniandes.edu.co%7Cb3fdd79cbce34a0b372c08d92d2442c8%7Cfabd047cff48492a8bbb8f98b9fb9cca%7C0%7C0%7C637590456021624451%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C1000&amp;sdata=rOoPHxsx81FxhK4uVaZPG6Mv19K1cqObMR7%2FNI%2B1pws%3D&amp;reserved=0" target="_blank" rel="noopener"><b>Territórios pessoanos da sensação</b></a></span><span style="font-weight: 400">. </span></li>
<li><span style="font-weight: 400">Rui Sousa, </span><span style="color: #ff0000"><a style="color: #ff0000" href="https://nam10.safelinks.protection.outlook.com/?url=https%3A%2F%2Fdoi.org%2F10.26300%2Fxzv5-yg53&amp;data=04%7C01%7Cla.silva1243%40uniandes.edu.co%7Cb3fdd79cbce34a0b372c08d92d2442c8%7Cfabd047cff48492a8bbb8f98b9fb9cca%7C0%7C0%7C637590456021634410%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C1000&amp;sdata=%2FGoM3xGrbfLCvg2oL8s4OqBmQUGRwbinx0OgyF%2BvXdI%3D&amp;reserved=0" target="_blank" rel="noopener"><b>Pessoa, Keyserling, Castro Osório: Notas sobre a identidade nacional em torno de Descobrimento (1931-1932)</b></a></span><span style="font-weight: 400">.</span></li>
<li><span style="font-weight: 400">Cristina Zhou, </span><span style="color: #ff0000"><a style="color: #ff0000" href="https://nam10.safelinks.protection.outlook.com/?url=https%3A%2F%2Fdoi.org%2F10.26300%2Fmreq-rf93&amp;data=04%7C01%7Cla.silva1243%40uniandes.edu.co%7Cb3fdd79cbce34a0b372c08d92d2442c8%7Cfabd047cff48492a8bbb8f98b9fb9cca%7C0%7C0%7C637590456021634410%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C1000&amp;sdata=ezQe4ioKVzuzO48wKc5VykzC1qu7VZDE9%2BgcQ4wPyvU%3D&amp;reserved=0" target="_blank" rel="noopener"><b>Dois Dantes e Pessoa: Uma leitura do medievalismo pessoano</b></a></span><span style="font-weight: 400">.</span></li>
<li><span style="font-weight: 400">Fernando Carmino Marques, </span><span style="color: #ff0000"><a style="color: #ff0000" href="https://nam10.safelinks.protection.outlook.com/?url=https%3A%2F%2Fdoi.org%2F10.26300%2Fhjym-8107&amp;data=04%7C01%7Cla.silva1243%40uniandes.edu.co%7Cb3fdd79cbce34a0b372c08d92d2442c8%7Cfabd047cff48492a8bbb8f98b9fb9cca%7C0%7C0%7C637590456021644367%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C1000&amp;sdata=qnaaYgD%2B%2Fd0ocSdgPjZ%2BISfWbBTOs6J7y86s0dkaz7E%3D&amp;reserved=0" target="_blank" rel="noopener"><b>Um século de traduções francesas de O Guardador de Rebanhos de Alberto Caeiro</b></a></span><span style="font-weight: 400">.</span></li>
</ul>
<p><b>Documentos:</b></p>
<ul>
<li><span style="font-weight: 400">Carlos Pittella, </span><span style="color: #ff0000"><a style="color: #ff0000" href="https://nam10.safelinks.protection.outlook.com/?url=https%3A%2F%2Fdoi.org%2F10.26300%2Fndtv-jx55&amp;data=04%7C01%7Cla.silva1243%40uniandes.edu.co%7Cb3fdd79cbce34a0b372c08d92d2442c8%7Cfabd047cff48492a8bbb8f98b9fb9cca%7C0%7C0%7C637590456021644367%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C1000&amp;sdata=QVxQ7Dt3Ht6tZLmkJZJEuI5w0Cj1zo4SFbWydCKRXW0%3D&amp;reserved=0" target="_blank" rel="noopener"><b>Marino, a tragedy, part 2&#8211;More fragments and dramatis personae</b></a></span><span style="font-weight: 400">.</span></li>
<li><span style="font-weight: 400">Gianluigi Guercia, </span><span style="color: #ff0000"><a style="color: #ff0000" href="https://nam10.safelinks.protection.outlook.com/?url=https%3A%2F%2Fdoi.org%2F10.26300%2Fw5fn-6t34&amp;data=04%7C01%7Cla.silva1243%40uniandes.edu.co%7Cb3fdd79cbce34a0b372c08d92d2442c8%7Cfabd047cff48492a8bbb8f98b9fb9cca%7C0%7C0%7C637590456021644367%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C1000&amp;sdata=wdieRZb5UNcoUoXnQCysE469gtIYY7euvNWm7iSGQFk%3D&amp;reserved=0" target="_blank" rel="noopener"><b>An imaginary visual journey on the life and time of Fernando Pessoa in Durban</b></a></span><span style="font-weight: 400">.</span></li>
<li><span style="font-weight: 400">Fernanda Vizcaíno, </span><span style="color: #ff0000"><a style="color: #ff0000" href="https://nam10.safelinks.protection.outlook.com/?url=https%3A%2F%2Fdoi.org%2F10.26300%2F8ncb-1m30&amp;data=04%7C01%7Cla.silva1243%40uniandes.edu.co%7Cb3fdd79cbce34a0b372c08d92d2442c8%7Cfabd047cff48492a8bbb8f98b9fb9cca%7C0%7C0%7C637590456021654321%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C1000&amp;sdata=HD0rbrXkPPR3unTfZIbYqDRmXrm0C61X5P9DTk6%2F%2B1g%3D&amp;reserved=0" target="_blank" rel="noopener"><b>Interview with Robert N. Schwartz</b></a></span><span style="font-weight: 400">.</span></li>
<li><span style="font-weight: 400">Jerónimo Pizarro, </span><span style="color: #ff0000"><a style="color: #ff0000" href="https://nam10.safelinks.protection.outlook.com/?url=https%3A%2F%2Fdoi.org%2F10.26300%2F5kzb-f178&amp;data=04%7C01%7Cla.silva1243%40uniandes.edu.co%7Cb3fdd79cbce34a0b372c08d92d2442c8%7Cfabd047cff48492a8bbb8f98b9fb9cca%7C0%7C0%7C637590456021654321%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C1000&amp;sdata=Na4puPSfPbd1I6XfZ4sEwxndR2evtG%2BA6HnVI8Ah0SU%3D&amp;reserved=0" target="_blank" rel="noopener"><b>Sete cadernos de Fernando Pessoa (1906-1907)</b></a></span><span style="font-weight: 400">.</span></li>
</ul>
<p><b>Reseñas:</b></p>
<ul>
<li><span style="font-weight: 400">Fabrizio Boscaglia, </span><span style="color: #ff0000"><a style="color: #ff0000" href="https://nam10.safelinks.protection.outlook.com/?url=https%3A%2F%2Fdoi.org%2F10.26300%2F6zkf-g225&amp;data=04%7C01%7Cla.silva1243%40uniandes.edu.co%7Cb3fdd79cbce34a0b372c08d92d2442c8%7Cfabd047cff48492a8bbb8f98b9fb9cca%7C0%7C0%7C637590456021664278%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C1000&amp;sdata=%2FKWp9X40OK61Snpw25mI6VKFxBldyUT75l9EbV4WmzE%3D&amp;reserved=0" target="_blank" rel="noopener"><b>Pessoa e a interiorização do Oriente</b></a></span><span style="font-weight: 400">. [Reseña de </span><i><span style="font-weight: 400">As Índias Espirituais: Fernando Pessoa e o orientalismo português</span></i><span style="font-weight: 400">, 2019.]</span></li>
<li><span style="font-weight: 400">Lilian Jacoto, </span><span style="color: #ff0000"><a style="color: #ff0000" href="https://nam10.safelinks.protection.outlook.com/?url=https%3A%2F%2Fdoi.org%2F10.26300%2Fasaz-df44&amp;data=04%7C01%7Cla.silva1243%40uniandes.edu.co%7Cb3fdd79cbce34a0b372c08d92d2442c8%7Cfabd047cff48492a8bbb8f98b9fb9cca%7C0%7C0%7C637590456021664278%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C1000&amp;sdata=vF92TYRmYxM8k3I9nad%2FulFAYxUXTkRwCp9BJZF3zxs%3D&amp;reserved=0" target="_blank" rel="noopener"><b>Pessoa em boa companhia</b></a></span><span style="font-weight: 400">. [Reseña de </span><i><span style="font-weight: 400">Fernando Pessoa &amp; Cia. não heterônima</span></i><span style="font-weight: 400">, 2019.]</span></li>
<li><span style="font-weight: 400">Rui Sousa, </span><span style="color: #ff0000"><a style="color: #ff0000" href="https://nam10.safelinks.protection.outlook.com/?url=https%3A%2F%2Fdoi.org%2F10.26300%2Fqxp4-g270&amp;data=04%7C01%7Cla.silva1243%40uniandes.edu.co%7Cb3fdd79cbce34a0b372c08d92d2442c8%7Cfabd047cff48492a8bbb8f98b9fb9cca%7C0%7C0%7C637590456021664278%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C1000&amp;sdata=YScYRTUC6NG%2B6ADNPiue6421Tax9h8J%2Fj%2Fy8PlRvuUI%3D&amp;reserved=0" target="_blank" rel="noopener"><b>Santa Rita Pintor ou os contextos em expansão do Modernismo</b></a></span><span style="font-weight: 400">. [Reseña de </span><i><span style="font-weight: 400">Santa Rita Pintor. Polémicas e Controvérsias</span></i><span style="font-weight: 400">, 2019.]</span></li>
<li><span style="font-weight: 400">José Martinho, </span><span style="color: #ff0000"><a style="color: #ff0000" href="https://nam10.safelinks.protection.outlook.com/?url=https%3A%2F%2Fdoi.org%2F10.26300%2Fehcj-0s55&amp;data=04%7C01%7Cla.silva1243%40uniandes.edu.co%7Cb3fdd79cbce34a0b372c08d92d2442c8%7Cfabd047cff48492a8bbb8f98b9fb9cca%7C0%7C0%7C637590456021674234%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C1000&amp;sdata=C11OxLtY5vCLcmzM4gf4Mh2u92UWcFIk3DcG6xkbbMA%3D&amp;reserved=0" target="_blank" rel="noopener"><b>Ficcionalidade e olhar</b></a></span><span style="font-weight: 400">. [Reseña de </span><i><span style="font-weight: 400">Fernando Pessoa e Freud, Diálogos inquietantes</span></i><span style="font-weight: 400">, 2019.] </span></li>
<li><span style="font-weight: 400">Adam Mahler, </span><span style="color: #ff0000"><a style="color: #ff0000" href="https://nam10.safelinks.protection.outlook.com/?url=https%3A%2F%2Fdoi.org%2F10.26300%2F4ca9-1h05&amp;data=04%7C01%7Cla.silva1243%40uniandes.edu.co%7Cb3fdd79cbce34a0b372c08d92d2442c8%7Cfabd047cff48492a8bbb8f98b9fb9cca%7C0%7C0%7C637590456021674234%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C1000&amp;sdata=OqPNZt2RHtS3oriRlMkQrrjk7f4BaVt6ZXLrj7ptDz8%3D&amp;reserved=0" target="_blank" rel="noopener"><b>A Song of Selflessness</b></a></span><span style="font-weight: 400">. [Reseña de </span><i><span style="font-weight: 400">Song of Ourselves: Walt Whitman and the Fight for Democracy</span></i><span style="font-weight: 400">, 2021.]</span></li>
</ul>

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		<title>Participación de nuestro profesor Jerónimo Pizarro en eventos sobre la cultura y la literatura portuguesas en línea</title>
		<link>https://old.facartes.uniandes.edu.co/noticia/participacion-de-nuestro-profesor-jeronimo-pizarro-en-eventos-sobre-la-cultura-y-la-literatura-portuguesas-en-linea/</link>
		
		<dc:creator><![CDATA[Oficina de Comunicaciones]]></dc:creator>
		<pubDate>Thu, 02 Jul 2020 14:11:33 +0000</pubDate>
				<category><![CDATA[Humanidades y Literatura]]></category>
		<category><![CDATA[Noticia]]></category>
		<category><![CDATA[desassossego]]></category>
		<category><![CDATA[dulce maria cardoso]]></category>
		<category><![CDATA[jerónimo pizarro]]></category>
		<category><![CDATA[pessoa]]></category>
		<category><![CDATA[portugal]]></category>
		<guid isPermaLink="false">https://old.facartes.uniandes.edu.co/?p=36078</guid>

					<description><![CDATA[Desasosiego digital y Filbo: los eventos en línea en los que participa Jerónimo]]></description>
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			<p><span style="font-weight: 400">Nuestro profesor del Departamento de Literatura, </span><span style="color: #ff0000"><a style="color: #ff0000" href="https://literatura.uniandes.edu.co/miembro/jeronimo-pizarro/" target="_blank" rel="noopener noreferrer"><span style="font-weight: 400">Jerónimo Pizarro</span></a></span><span style="font-weight: 400">, ha participado en dos eventos en línea durante la pandemia. El primero, con ocasión del lanzamiento del libro </span><i><span style="font-weight: 400">Todo son historias de amor</span></i><span style="font-weight: 400"> de Dulce Maria Cardoso y, más recientemente, dentro de la primera semana del Desasosiego digital de la Cátedra Agostinho da Silva.</span></p>
<p><span style="font-weight: 400">El 2 de mayo, en el marco de la Feria internacional del libro de Bogotá, nuestro profesor conversó con la escritora portuguesa Dulce María Cardoso a propósito del libro de 19 cuentos </span><i><span style="font-weight: 400">Todo son historias de amor</span></i><span style="font-weight: 400"> y su lanzamiento en español por </span><span style="color: #ff0000"><a style="color: #ff0000" href="https://www.tragaluzeditores.com/libros/todo-son-historias-de-amor/"><span style="font-weight: 400">Tragaluz Editores</span></a></span><span style="font-weight: 400">. Jerónimo, junto con Pedro Rapoula, fue el responsable de la traducción de la obra del portugués al español.</span></p>

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			<p><span style="font-weight: 400">El comité organizador de la Cátedra Agostinho da Silva invitó a nuestro profesor a la mesa redonda </span><i><span style="font-weight: 400">Pessoa, pessoas &amp; outros desassossegos nos 10 anos morte de Saramago </span></i><span style="font-weight: 400">el 18 de junio. En este evento, parte de la primera semana del </span><span style="color: #ff0000"><a style="color: #ff0000" href="https://catedrapessoa.uniandes.edu.co/?page_id=3245" target="_blank" rel="noopener noreferrer"><span style="font-weight: 400">Desasosiego digital</span></a></span><span style="font-weight: 400">, Jerónimo presentó la charla “La primera espada: Pessoa imitando a Camões”.</span></p>

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			<p><span style="font-weight: 400">Jerónimo Pizarro es el director de la </span><span style="color: #ff0000"><a style="color: #ff0000" href="https://catedrapessoa.uniandes.edu.co/" target="_blank" rel="noopener noreferrer"><span style="font-weight: 400">Cátedra de Estudos Portugueses Fernando Pessoa</span></a></span><span style="font-weight: 400"> de la Universidad de los Andes en </span><span style="color: #ff0000"><a style="color: #ff0000" href="https://literatura.uniandes.edu.co/literatura/pluralidad-de-los-sujetos-2/" target="_blank" rel="noopener noreferrer"><span style="font-weight: 400">cooperación con el Instituto Camões en Colombia y la embajada de Portugal</span></a></span><span style="font-weight: 400">.</span></p>

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