{"id":5224,"date":"2020-10-28T18:13:16","date_gmt":"2020-10-28T23:13:16","guid":{"rendered":"https:\/\/historiadelarte.uniandes.edu.co\/sin-categorizar\/el-equipo-de-juanita-solano-y-su-monitora-maria-antonia-fernandez-historia-del-arte\/"},"modified":"2020-10-28T18:13:17","modified_gmt":"2020-10-28T23:13:17","slug":"el-equipo-de-juanita-solano-y-su-monitora-maria-antonia-fernandez-historia-del-arte","status":"publish","type":"post","link":"https:\/\/old.facartes.uniandes.edu.co\/sitio-harte\/historiadelarte\/el-equipo-de-juanita-solano-y-su-monitora-maria-antonia-fernandez-historia-del-arte\/","title":{"rendered":"El equipo de Juanita Solano y su monitora Mar\u00eda Antonia Fern\u00e1ndez | Historia del Arte"},"content":{"rendered":"

[vc_row][vc_column][vc_video link=\u00bbhttps:\/\/youtu.be\/Bjw_-w-uqUk\u00bb][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]Con Every Building on the Sunset Strip (1966), Edward Ruscha le quita a los fotolibros la obligaci\u00f3n de ser objetos preciosos y al fot\u00f3grafo la necesidad de tener una perspectiva original e inimitable. Juanita Solano<\/a><\/span>, profesora de Historia del Arte y su monitora Mar\u00eda Antonia Fern\u00e1ndez nos explican c\u00f3mo se hizo y c\u00f3mo se distribu\u00eda este Google Maps de un bulevar en Los \u00c1ngeles en los a\u00f1os 60. Tambi\u00e9n nos muestran fotograf\u00edas de Twentysix Gasoline Stations (1963) para insistir en que Ruscha logra \u00abquitarse de encima la artificialidad ‘art\u00edstica'\u00bb, lo que tambi\u00e9n ocurre en Royal Road Test (1967) y Thirtyfour Parking Lots (1967).<\/p>\n

La docencia de hoy en d\u00eda debe ser una actividad que se nutre de los estudiantes, por supuesto de los profesores, pero tambi\u00e9n de personas que sean puentes entre esas dos figuras. Como monitora, Mar\u00eda Antonia valora la oportunidad de aportar tanto a los estudiantes como a Juanita con conocimientos que ya tiene y con preguntas que surgen de revisitar los temas de otros semestre con ojos nuevos.<\/p>\n

Para obtener informaci\u00f3n sobre las monitor\u00edas en el Departamento de Historia del Arte, escriba a v.uribe20@uniandes.edu.co<\/a><\/span>.[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

Juanita y Mar\u00eda Antonia presentan los fotolibros de Ed Ruscha<\/p>\n","protected":false},"author":1,"featured_media":5225,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"footnotes":""},"categories":[471,378,379],"tags":[2807,1338,2808,2772],"class_list":["post-5224","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-estudiantes","category-historiadelarte","category-noticia","tag-ed-ruscha","tag-juanita-solano","tag-maria-antonia-fernandez","tag-monitoria","post_format-post-format-video"],"yoast_head":"\nJuanita Solano y su monitora Ma. 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