{"id":4947,"date":"2020-09-24T15:51:22","date_gmt":"2020-09-24T20:51:22","guid":{"rendered":"https:\/\/historiadelarte.uniandes.edu.co\/?p=4947"},"modified":"2020-10-05T12:55:23","modified_gmt":"2020-10-05T17:55:23","slug":"septima-edicion","status":"publish","type":"post","link":"https:\/\/old.facartes.uniandes.edu.co\/sitio-harte\/clio\/septima-edicion\/","title":{"rendered":"S\u00e9ptima edici\u00f3n"},"content":{"rendered":"<div class=\"wpb-content-wrapper\" id=\"wpb-content-root\"><p>[vc_row full_width=\u00bbstretch_row\u00bb full_height=\u00bbyes\u00bb equal_height=\u00bbyes\u00bb parallax=\u00bbcontent-moving\u00bb u_row_style=\u00bb0&#8243; u_row_paralax=\u00bb0&#8243; u_row_scheme=\u00bb0&#8243; css=\u00bb.vc_custom_1601436764774{padding-top: 30px !important;padding-bottom: 30px !important;background-image: url(https:\/\/old.facartes.uniandes.edu.co\/sitio-harte\/files\/2020\/09\/fondoclioweb2-scaled.jpg?id=5012) !important;}\u00bb][vc_column css=\u00bb.vc_custom_1596647264122{padding-top: 40px !important;}\u00bb][vc_single_image image=\u00bb5019&#8243; img_size=\u00bblarge\u00bb alignment=\u00bbcenter\u00bb onclick=\u00bbcustom_link\u00bb img_link_target=\u00bb_blank\u00bb link=\u00bbhttps:\/\/historiadelarte.uniandes.edu.co\/estudiantes\/clio\/\u00bb][vc_column_text css=\u00bb.vc_custom_1601436473230{border-top-width: 1px !important;padding-top: 30px !important;border-top-color: #ffffff !important;border-top-style: solid !important;}\u00bb]<\/p>\n<h2 style=\"text-align: center;\"><span style=\"color: #ffffff;\"><b>S\u00e9ptima edici\u00f3n<\/b><\/span><\/h2>\n<p>[\/vc_column_text][\/vc_column][vc_column width=\u00bb1\/3&#8243;][vc_btn title=\u00bbIntroducci\u00f3n\u00bb style=\u00bboutline\u00bb shape=\u00bbsquare\u00bb color=\u00bbwhite\u00bb size=\u00bblg\u00bb align=\u00bbcenter\u00bb button_block=\u00bbtrue\u00bb link=\u00bburl:https%3A%2F%2Fhistoriadelarte.uniandes.edu.co%2Festudiantes%2Fclio%2F|||\u00bb][\/vc_column][vc_column width=\u00bb1\/3&#8243;][vc_btn title=\u00bbEditorial\u00bb style=\u00bboutline\u00bb shape=\u00bbsquare\u00bb color=\u00bbwhite\u00bb size=\u00bblg\u00bb align=\u00bbcenter\u00bb button_block=\u00bbtrue\u00bb link=\u00bburl:https%3A%2F%2Fhistoriadelarte.uniandes.edu.co%2Fclio%2Fseptima-edicion%2Feditorial-2%2F|||\u00bb][\/vc_column][vc_column width=\u00bb1\/3&#8243;][vc_btn title=\u00bbEquipo\u00bb style=\u00bboutline\u00bb shape=\u00bbsquare\u00bb color=\u00bbwhite\u00bb size=\u00bblg\u00bb align=\u00bbcenter\u00bb button_block=\u00bbtrue\u00bb link=\u00bburl:https%3A%2F%2Fhistoriadelarte.uniandes.edu.co%2Fclio%2Fequipo%2F|||\u00bb][\/vc_column][vc_column width=\u00bb1\/2&#8243;][vc_single_image source=\u00bbexternal_link\u00bb external_img_size=\u00bb1920&#215;1080&#8243; onclick=\u00bbcustom_link\u00bb custom_src=\u00bbhttps:\/\/old.facartes.uniandes.edu.co\/sitio-harte\/files\/2020\/09\/The-Fowl-Market.jpg\u00bb link=\u00bbhttps:\/\/historiadelarte.uniandes.edu.co\/clio\/la-danza-de-las-mascaras-una-tragedia-medieval\/\u00bb][\/vc_column][vc_column width=\u00bb1\/2&#8243;][vc_column_text css=\u00bb.vc_custom_1601436890889{margin-bottom: 0px !important;padding-top: 50px !important;padding-right: 50px !important;padding-bottom: 50px !important;padding-left: 50px !important;background-color: rgba(22,27,25,0.47) !important;*background-color: rgb(22,27,25) !important;}\u00bb]<\/p>\n<h2><a href=\"https:\/\/historiadelarte.uniandes.edu.co\/clio\/septima-edicion\/carne-de-venado-la-caceria-de-cervidos-en-la-modernidad-europea\/\/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"color: #ffffff;\">Carne de venado: la cacer\u00eda de c\u00e9rvidos en la modernidad europea<\/span><\/a><\/h2>\n<h4><span style=\"color: #ffffff;\">Por:<\/span> <span style=\"color: #04928d;\"> Nicol\u00e1s Wills L\u00f3pez<\/span><\/h4>\n<p>[\/vc_column_text][vc_btn title=\u00bbLeer art\u00edculo completo\u00bb style=\u00bboutline\u00bb shape=\u00bbsquare\u00bb color=\u00bbwhite\u00bb align=\u00bbleft\u00bb link=\u00bburl:https%3A%2F%2Fhistoriadelarte.uniandes.edu.co%2Fclio%2Fseptima-edicion%2Fcarne-de-venado-la-caceria-de-cervidos-en-la-modernidad-europea%2F||target:%20_blank|\u00bb css=\u00bb.vc_custom_1601436913019{margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 50px !important;padding-bottom: 50px !important;padding-left: 50px !important;background-color: rgba(22,27,25,0.47) !important;*background-color: rgb(22,27,25) !important;}\u00bb][\/vc_column][\/vc_row][vc_row full_width=\u00bbstretch_row\u00bb gap=\u00bb20&#8243; equal_height=\u00bbyes\u00bb content_placement=\u00bbmiddle\u00bb parallax=\u00bbcontent-moving\u00bb parallax_speed_bg=\u00bb0.5&#8243; u_row_style=\u00bb0&#8243; u_row_paralax=\u00bb0&#8243; u_row_scheme=\u00bb0&#8243; css=\u00bb.vc_custom_1601436759596{padding-top: 10px !important;background-color: #161b19 !important;background-position: 0 0;background-repeat: no-repeat !important;}\u00bb][vc_column width=\u00bb1\/2&#8243; css=\u00bb.vc_custom_1596640887820{margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}\u00bb][vc_single_image source=\u00bbexternal_link\u00bb external_img_size=\u00bb1920&#215;1080&#8243; onclick=\u00bbcustom_link\u00bb img_link_target=\u00bb_blank\u00bb custom_src=\u00bbhttps:\/\/old.facartes.uniandes.edu.co\/sitio-harte\/files\/2020\/09\/92honda-768&#215;431-1.jpg\u00bb link=\u00bbhttps:\/\/historiadelarte.uniandes.edu.co\/clio\/el-papel-de-lo-indigena-en-la-formacion-de-la-republica-colombiana-un-analisis-de-las-laminas-de-la-comision-corografica\/\u00bb][\/vc_column][vc_column width=\u00bb1\/2&#8243;][vc_column_text css=\u00bb.vc_custom_1601436705731{margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 50px !important;padding-bottom: 50px !important;padding-left: 50px !important;}\u00bb]<\/p>\n<h2><a href=\"https:\/\/historiadelarte.uniandes.edu.co\/clio\/septima-edicion\/el-viaje-de-los-alpes-enmarcados-en-los-andes-una-mirada-comparativa-de-los-paisajes-en-camino-a-honda-de-antonio-bermudez\/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"color: #ffffff;\">El viaje de los Alpes enmarcados en los Andes: una mirada comparativa de los paisajes en Camino a Honda de Antonio Berm\u00fadez<br \/>\n<\/span><\/a><\/h2>\n<h4><span style=\"color: #ffffff;\">Por:<\/span> <span style=\"color: #04928d;\">Luis Rey Celis<\/span><\/h4>\n<p>[\/vc_column_text][vc_btn title=\u00bbLeer art\u00edculo completo\u00bb style=\u00bboutline\u00bb shape=\u00bbsquare\u00bb color=\u00bbwhite\u00bb align=\u00bbleft\u00bb link=\u00bburl:https%3A%2F%2Fhistoriadelarte.uniandes.edu.co%2Fclio%2Fseptima-edicion%2Fel-viaje-de-los-alpes-enmarcados-en-los-andes-una-mirada-comparativa-de-los-paisajes-en-camino-a-honda-de-antonio-bermudez%2F||target:%20_blank|\u00bb css=\u00bb.vc_custom_1601436602420{margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 50px !important;padding-bottom: 50px !important;padding-left: 50px !important;}\u00bb][\/vc_column][\/vc_row][vc_row full_width=\u00bbstretch_row\u00bb gap=\u00bb20&#8243; equal_height=\u00bbyes\u00bb content_placement=\u00bbmiddle\u00bb parallax=\u00bbcontent-moving\u00bb parallax_speed_bg=\u00bb0.5&#8243; u_row_style=\u00bb0&#8243; u_row_paralax=\u00bb0&#8243; u_row_scheme=\u00bb0&#8243; css=\u00bb.vc_custom_1601435913814{padding-top: 10px !important;background-color: #161b19 !important;}\u00bb][vc_column width=\u00bb1\/2&#8243; css=\u00bb.vc_custom_1596640887820{margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}\u00bb][vc_single_image source=\u00bbexternal_link\u00bb external_img_size=\u00bb1920&#215;1080&#8243; onclick=\u00bbcustom_link\u00bb custom_src=\u00bbhttps:\/\/old.facartes.uniandes.edu.co\/sitio-harte\/files\/2020\/09\/hectarea-de-heno-scaled.jpg\u00bb link=\u00bbhttps:\/\/historiadelarte.uniandes.edu.co\/clio\/protestantismo-e-iconoclasia-evidencias-durante-la-semana-santa-para-una-historia-del-arte-sociologista\/\u00bb][\/vc_column][vc_column width=\u00bb1\/2&#8243;][vc_column_text css=\u00bb.vc_custom_1601436697347{margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 50px !important;padding-bottom: 50px !important;padding-left: 50px !important;}\u00bb]<\/p>\n<h2><a href=\"https:\/\/historiadelarte.uniandes.edu.co\/clio\/septima-edicion\/heno-y-plastico-construccion-del-paisaje-en-bernardo-salcedo\/\"><span style=\"color: #ffffff;\">Heno y pl\u00e1stico: construcci\u00f3n del paisaje en Bernardo Salcedo<br \/>\n<\/span><\/a><\/h2>\n<h4><span style=\"color: #ffffff;\">Por:<\/span> <span style=\"color: #04928d;\">Santiago Valencia Parra<\/span><\/h4>\n<p>[\/vc_column_text][vc_btn title=\u00bbLeer art\u00edculo completo\u00bb style=\u00bboutline\u00bb shape=\u00bbsquare\u00bb color=\u00bbwhite\u00bb align=\u00bbleft\u00bb link=\u00bburl:https%3A%2F%2Fhistoriadelarte.uniandes.edu.co%2Fclio%2Fseptima-edicion%2Fheno-y-plastico-construccion-del-paisaje-en-bernardo-salcedo%2F||target:%20_blank|\u00bb css=\u00bb.vc_custom_1601436647368{margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 50px !important;padding-bottom: 50px !important;padding-left: 50px !important;}\u00bb][\/vc_column][\/vc_row][vc_row full_width=\u00bbstretch_row\u00bb gap=\u00bb20&#8243; equal_height=\u00bbyes\u00bb content_placement=\u00bbmiddle\u00bb parallax=\u00bbcontent-moving\u00bb parallax_speed_bg=\u00bb0.5&#8243; u_row_style=\u00bb0&#8243; u_row_paralax=\u00bb0&#8243; u_row_scheme=\u00bb0&#8243; css=\u00bb.vc_custom_1601435926537{padding-top: 10px !important;background-color: #161b19 !important;background-position: center;background-repeat: no-repeat !important;background-size: cover !important;}\u00bb][vc_column width=\u00bb1\/2&#8243; css=\u00bb.vc_custom_1596640887820{margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}\u00bb][vc_single_image source=\u00bbexternal_link\u00bb external_img_size=\u00bb1920&#215;1080&#8243; onclick=\u00bbcustom_link\u00bb img_link_target=\u00bb_blank\u00bb custom_src=\u00bbhttps:\/\/old.facartes.uniandes.edu.co\/sitio-harte\/files\/2020\/09\/thumbnail_la-virgen-del-cerro.jpg\u00bb link=\u00bbhttps:\/\/historiadelarte.uniandes.edu.co\/clio\/la-idiosincrasia-de-wes-anderson-como-patron-estetico-contemporaneo\/\u00bb][\/vc_column][vc_column width=\u00bb1\/2&#8243;][vc_column_text css=\u00bb.vc_custom_1601436680977{margin-bottom: 0px !important;padding-top: 50px !important;padding-right: 50px !important;padding-bottom: 50px !important;padding-left: 50px !important;}\u00bb]<\/p>\n<h2><a href=\"https:\/\/historiadelarte.uniandes.edu.co\/clio\/septima-edicion\/la-virgen-del-cerro-paisaje-e-imagen-sagrada\/\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"color: #ffffff;\">La virgen del cerro. Paisaje e Imagen Sagrada<br \/>\n<\/span><\/a><\/h2>\n<h4><span style=\"color: #ffffff;\">Por:<\/span> <span style=\"color: #04928d;\">Luz Helena Caballero<\/span><\/h4>\n<p>[\/vc_column_text][vc_btn title=\u00bbLeer art\u00edculo completo\u00bb style=\u00bboutline\u00bb shape=\u00bbsquare\u00bb color=\u00bbwhite\u00bb align=\u00bbleft\u00bb link=\u00bburl:https%3A%2F%2Fhistoriadelarte.uniandes.edu.co%2Fclio%2Fseptima-edicion%2Fla-virgen-del-cerro-paisaje-e-imagen-sagrada%2F||target:%20_blank|\u00bb css=\u00bb.vc_custom_1601436688206{margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 50px !important;padding-bottom: 50px !important;padding-left: 50px !important;}\u00bb][\/vc_column][\/vc_row][vc_row full_width=\u00bbstretch_row\u00bb equal_height=\u00bbyes\u00bb u_row_style=\u00bb0&#8243; u_row_paralax=\u00bb0&#8243; u_row_scheme=\u00bb0&#8243; css=\u00bb.vc_custom_1601435936962{background-color: #161b19 !important;}\u00bb][vc_column][vc_single_image image=\u00bb4396&#8243; img_size=\u00bblarge\u00bb alignment=\u00bbcenter\u00bb onclick=\u00bbcustom_link\u00bb img_link_target=\u00bb_blank\u00bb link=\u00bbhttps:\/\/zoom.us\/j\/97061082901?pwd=UWV6cTV5VUJZLzh6MzBvMTVwU01zQT09&#8243; css=\u00bb.vc_custom_1601920519218{margin-top: 50px !important;margin-bottom: 50px !important;}\u00bb][vc_column_text]<\/p>\n<hr \/>\n<h3 style=\"text-align: center;\"><span style=\"color: #ffffff;\">2020<\/span><\/h3>\n<p style=\"text-align: center;\"><span style=\"color: #ffffff;\">N\u00ba 7<\/span><\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row full_width=\u00bbstretch_row\u00bb full_height=\u00bbyes\u00bb equal_height=\u00bbyes\u00bb parallax=\u00bbcontent-moving\u00bb u_row_style=\u00bb0&#8243; u_row_paralax=\u00bb0&#8243; u_row_scheme=\u00bb0&#8243; css=\u00bb.vc_custom_1601436764774{padding-top: 30px !important;padding-bottom: 30px !important;background-image: url(https:\/\/old.facartes.uniandes.edu.co\/sitio-harte\/files\/2020\/09\/fondoclioweb2-scaled.jpg?id=5012) !important;}\u00bb][vc_column css=\u00bb.vc_custom_1596647264122{padding-top: 40px !important;}\u00bb][vc_single_image image=\u00bb5019&#8243; img_size=\u00bblarge\u00bb alignment=\u00bbcenter\u00bb onclick=\u00bbcustom_link\u00bb img_link_target=\u00bb_blank\u00bb link=\u00bbhttps:\/\/historiadelarte.uniandes.edu.co\/estudiantes\/clio\/\u00bb][vc_column_text css=\u00bb.vc_custom_1601436473230{border-top-width: 1px !important;padding-top: 30px !important;border-top-color: #ffffff !important;border-top-style: solid !important;}\u00bb] S\u00e9ptima edici\u00f3n [\/vc_column_text][\/vc_column][vc_column width=\u00bb1\/3&#8243;][vc_btn title=\u00bbIntroducci\u00f3n\u00bb style=\u00bboutline\u00bb shape=\u00bbsquare\u00bb color=\u00bbwhite\u00bb size=\u00bblg\u00bb align=\u00bbcenter\u00bb button_block=\u00bbtrue\u00bb link=\u00bburl:https%3A%2F%2Fhistoriadelarte.uniandes.edu.co%2Festudiantes%2Fclio%2F|||\u00bb][\/vc_column][vc_column width=\u00bb1\/3&#8243;][vc_btn title=\u00bbEditorial\u00bb style=\u00bboutline\u00bb shape=\u00bbsquare\u00bb color=\u00bbwhite\u00bb size=\u00bblg\u00bb align=\u00bbcenter\u00bb button_block=\u00bbtrue\u00bb link=\u00bburl:https%3A%2F%2Fhistoriadelarte.uniandes.edu.co%2Fclio%2Fseptima-edicion%2Feditorial-2%2F|||\u00bb][\/vc_column][vc_column width=\u00bb1\/3&#8243;][vc_btn [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2112,2791],"tags":[],"class_list":["post-4947","post","type-post","status-publish","format-standard","hentry","category-clio","category-septima-edicion"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.3 - 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