{"id":435,"date":"2018-11-01T08:22:06","date_gmt":"2018-11-01T13:22:06","guid":{"rendered":"https:\/\/historiadelarte.uniandes.edu.co\/sin-categorizar\/nuevo-numero-de-la-revista-hart\/"},"modified":"2018-11-01T15:12:07","modified_gmt":"2018-11-01T20:12:07","slug":"nuevo-numero-de-la-revista-hart","status":"publish","type":"post","link":"https:\/\/old.facartes.uniandes.edu.co\/sitio-harte\/historiadelarte\/nuevo-numero-de-la-revista-hart\/","title":{"rendered":"Nuevo n\u00famero de la revista HArt"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]<\/p>\n

N\u00famero 3<\/span>
\nIconoclasia e iconodulia<\/span><\/h1>\n

El primer n\u00famero tem\u00e1tico de H-ART. Revista de historia, teor\u00eda y cr\u00edtica de arte tiene como editor invitado al profesor Dar\u00edo Velandia. Seg\u00fan Velandia este n\u00famero se dedica a: \u00abpensar en nuevas maneras de enfrentarnos al estudio de la imagen en contextos de conflicto o contingencia pol\u00edtica, social y cultural\u00bb. Este n\u00famero cuenta con diez art\u00edculos de autores nacionales e internacionales y presenta las respuestas del profesor David Freedberg al cuestionario sobre historia del arte, as\u00ed como, la rese\u00f1a sobre la exposici\u00f3n \u00abR\u00edos y Silencios\u00bb de Juan Manuel Echavarr\u00eda en el Museo de Arte Moderno de Bogot\u00e1, escrita por Elkin Rubiano.<\/p>\n

Los invitamos a leer el 3 n\u00famero<\/a><\/strong><\/span><\/p>\n

Mar\u00eda Clara Bernal<\/strong>
\nEditora
\nH-ART. Revista de historia, teor\u00eda y cr\u00edtica de arte
\nDepartamento de Historia del Arte-Universidad de los Andes<\/p>\n

<\/p>\n

Editorial<\/h3>\n

Iconoclasia e iconodulia: Usos y funcion de la imagen en contextos de conflicto
\nDario Velandia, Universidad de los Andes, Colombia. Editor invitado.[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=\u00bb1\/2″][vc_single_image source=\u00bbexternal_link\u00bb onclick=\u00bbcustom_link\u00bb img_link_target=\u00bb_blank\u00bb custom_src=\u00bbhttps:\/\/gallery.mailchimp.com\/8c8b50f6e2ac1c71b4789cd5c\/images\/dcfa282a-1088-47a0-88dd-0ef2b6c79a92.jpg\u00bb link=\u00bbhttps:\/\/revistas.uniandes.edu.co\/doi\/full\/10.25025\/hart03.2018.02″][\/vc_column][vc_column width=\u00bb1\/2″][vc_column_text]<\/p>\n

Art\u00edculo
\n<\/span><\/strong><\/h2>\n

Discusiones en torno a una imagen misionera. Nuestra Se\u00f1ora de la Luz y el Cuarto Concilio Provincial Mexicano<\/a><\/h3>\n

Cristina Ratto<\/strong>, Universidad Nacional Aut\u00f3noma de M\u00e9xico, M\u00e9xico<\/p>\n

Lea aqu\u00ed el art\u00edculo<\/a><\/h4>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=\u00bb1\/2″][vc_single_image source=\u00bbexternal_link\u00bb onclick=\u00bbcustom_link\u00bb img_link_target=\u00bb_blank\u00bb custom_src=\u00bbhttps:\/\/gallery.mailchimp.com\/8c8b50f6e2ac1c71b4789cd5c\/images\/c48f8d1b-decc-4f1e-8a42-6e9c3e42358e.jpg\u00bb link=\u00bbhttps:\/\/revistas.uniandes.edu.co\/doi\/full\/10.25025\/hart03.2018.03″][\/vc_column][vc_column width=\u00bb1\/2″][vc_column_text]<\/p>\n

Art\u00edculo
\n<\/span><\/strong><\/h2>\n

Plata y oro para la fe: cultura tridentina e iconolog\u00eda cristiana en la plater\u00eda neogranadina virreinal<\/a><\/h3>\n

Andrea Lorena Guerrero Jim\u00e9nez,<\/strong> Instituci\u00f3n Universitaria Polit\u00e9cnico Grancolombiano, Universidad de los Andes, Colombia.<\/p>\n

 <\/p>\n

Lea aqu\u00ed el art\u00edculo<\/a><\/h4>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=\u00bb1\/2″][vc_single_image source=\u00bbexternal_link\u00bb onclick=\u00bbcustom_link\u00bb img_link_target=\u00bb_blank\u00bb custom_src=\u00bbhttps:\/\/gallery.mailchimp.com\/8c8b50f6e2ac1c71b4789cd5c\/images\/c39012e1-2b90-4b99-9ce5-e37a9c31d9bd.jpg\u00bb link=\u00bbhttps:\/\/revistas.uniandes.edu.co\/doi\/full\/10.25025\/hart03.2018.04″][\/vc_column][vc_column width=\u00bb1\/2″][vc_column_text]<\/p>\n

Art\u00edculo
\n<\/span><\/strong><\/h2>\n

The Vagina and the Eye of Power (Essay on Genitalia and Visual Sovereignty)<\/a><\/h3>\n

Paola Uparella y Carlos A. J\u00e1uregui<\/strong>, Universidad de Notre Dame, Estados Unidos<\/p>\n

 <\/p>\n

Lea aqu\u00ed el art\u00edculo<\/a><\/h4>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=\u00bb1\/2″][vc_single_image source=\u00bbexternal_link\u00bb onclick=\u00bbcustom_link\u00bb img_link_target=\u00bb_blank\u00bb custom_src=\u00bbhttps:\/\/gallery.mailchimp.com\/8c8b50f6e2ac1c71b4789cd5c\/images\/d0449fc0-30bc-4619-bc0a-afb4153deba7.jpg\u00bb link=\u00bbhttps:\/\/revistas.uniandes.edu.co\/doi\/full\/10.25025\/hart03.2018.05″][\/vc_column][vc_column width=\u00bb1\/2″][vc_column_text]<\/p>\n

Art\u00edculo
\n<\/span><\/strong><\/h2>\n

Cuerpos sa(n)grados del barroco novohispanico<\/a><\/h3>\n

Mariana Rubio de los Santos<\/strong>, Universidad Nacional Aut\u00f3noma de M\u00e9xico, M\u00e9xico<\/p>\n

 <\/p>\n

Lea aqu\u00ed el art\u00edculo<\/strong><\/a><\/h4>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=\u00bb1\/2″][vc_single_image source=\u00bbexternal_link\u00bb onclick=\u00bbcustom_link\u00bb img_link_target=\u00bb_blank\u00bb custom_src=\u00bbhttps:\/\/gallery.mailchimp.com\/8c8b50f6e2ac1c71b4789cd5c\/images\/e3216a9f-05de-495a-84b8-06d24c35f06b.jpg\u00bb link=\u00bbhttps:\/\/revistas.uniandes.edu.co\/doi\/full\/10.25025\/hart03.2018.06″][\/vc_column][vc_column width=\u00bb1\/2″][vc_column_text]<\/p>\n

Art\u00edculo
\n<\/span><\/strong><\/h2>\n

El panorama como simulacro. Tecnolog\u00edas de la mirada colonial en Una holandesa en America (ca.1880), novela ilustrada<\/a><\/h3>\n

Carolina Alzate<\/strong>, Universidad de los Andes, Colombia<\/p>\n

 <\/p>\n

Lea aqu\u00ed el art\u00edculo<\/strong><\/a><\/h4>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=\u00bb1\/2″][vc_single_image source=\u00bbexternal_link\u00bb onclick=\u00bbcustom_link\u00bb img_link_target=\u00bb_blank\u00bb custom_src=\u00bbhttps:\/\/gallery.mailchimp.com\/8c8b50f6e2ac1c71b4789cd5c\/images\/f8cf7612-5fc6-4d6c-8193-bb725ac8ddc8.jpg\u00bb link=\u00bbhttps:\/\/revistas.uniandes.edu.co\/doi\/full\/10.25025\/hart03.2018.07″][\/vc_column][vc_column width=\u00bb1\/2″][vc_column_text]<\/p>\n

Art\u00edculo
\n<\/span><\/strong><\/h2>\n

De-sacralizando la imagen clerical: salterios y obispos monstruosos en la Inglaterra bajomedieval<\/a><\/h3>\n

Juan Carlos Montero Vallejo<\/strong>, Pontificia Universidad Javeriana, Colombia<\/p>\n

 <\/p>\n

Lea aqu\u00ed el art\u00edculo<\/strong><\/a><\/h4>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=\u00bb1\/2″][vc_single_image source=\u00bbexternal_link\u00bb onclick=\u00bbcustom_link\u00bb img_link_target=\u00bb_blank\u00bb custom_src=\u00bbhttps:\/\/gallery.mailchimp.com\/8c8b50f6e2ac1c71b4789cd5c\/images\/bf0df332-019f-4249-ac2b-1b4c1ac14689.png\u00bb link=\u00bbhttps:\/\/revistas.uniandes.edu.co\/doi\/full\/10.25025\/hart03.2018.08″][\/vc_column][vc_column width=\u00bb1\/2″][vc_column_text]<\/p>\n

Art\u00edculo
\n<\/span><\/strong><\/h2>\n

La Anunciaci\u00f3n de Carlos Correa: estudio de una pol\u00e9mica en 1942<\/a><\/h3>\n

Camilo Sarmiento Jaramillo<\/strong>, Universidad Nacional de Colombia, Colombia<\/p>\n

 <\/p>\n

Lea aqu\u00ed el art\u00edculo<\/strong><\/a><\/h4>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=\u00bb1\/2″][vc_single_image source=\u00bbexternal_link\u00bb onclick=\u00bbcustom_link\u00bb img_link_target=\u00bb_blank\u00bb custom_src=\u00bbhttps:\/\/gallery.mailchimp.com\/8c8b50f6e2ac1c71b4789cd5c\/images\/63797925-a16a-42d7-9624-2a45a82c01be.jpg\u00bb link=\u00bbhttps:\/\/revistas.uniandes.edu.co\/doi\/full\/10.25025\/hart03.2018.09″][\/vc_column][vc_column width=\u00bb1\/2″][vc_column_text]<\/p>\n

Art\u00edculo
\n<\/span><\/strong><\/h2>\n

Vestigios cifrados: destrucci\u00f3n, dispersi\u00f3n y reconstituci\u00f3n del patrimonio jesu\u00edtico en los Estados de Rio de Janeiro y S\u00e3o Paulo<\/a><\/h3>\n

Renata Maria de Almeida Martins<\/strong>, Universidade de S\u00e3o Paulo – FAU-USP, Brasil<\/p>\n

 <\/p>\n

Lea aqu\u00ed el art\u00edculo<\/strong><\/a><\/h4>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=\u00bb1\/2″][vc_single_image source=\u00bbexternal_link\u00bb onclick=\u00bbcustom_link\u00bb img_link_target=\u00bb_blank\u00bb custom_src=\u00bbhttps:\/\/gallery.mailchimp.com\/8c8b50f6e2ac1c71b4789cd5c\/images\/f5adb3fd-faa5-42bb-b0c9-6776c53c7a1f.jpg\u00bb link=\u00bbhttps:\/\/revistas.uniandes.edu.co\/doi\/full\/10.25025\/hart03.2018.10″][\/vc_column][vc_column width=\u00bb1\/2″][vc_column_text]<\/p>\n

Art\u00edculo
\n<\/span><\/strong><\/h2>\n

La conquista de la conciencia: m\u00e9todos confesionales y extirpaci\u00f3n de idolatr\u00edas en la Nueva Espa\u00f1a y el Virreinato del Per\u00fa<\/a><\/h3>\n

Dar\u00edo Velandia Onofre<\/strong>, Universidad de los Andes, Colombia<\/p>\n

 <\/p>\n

Lea aqu\u00ed el art\u00edculo<\/strong><\/a><\/h4>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=\u00bb1\/2″][vc_single_image source=\u00bbexternal_link\u00bb onclick=\u00bbcustom_link\u00bb img_link_target=\u00bb_blank\u00bb custom_src=\u00bbhttps:\/\/gallery.mailchimp.com\/8c8b50f6e2ac1c71b4789cd5c\/images\/26927514-6d7b-48af-a2ba-d8bf312013ed.jpg\u00bb link=\u00bbhttps:\/\/revistas.uniandes.edu.co\/doi\/full\/10.25025\/hart03.2018.11″][\/vc_column][vc_column width=\u00bb1\/2″][vc_column_text]<\/p>\n

Art\u00edculo
\n<\/span><\/strong><\/h2>\n

Neofiguraci\u00f3n e iconoclasia en el cine de David Lynch<\/a><\/h3>\n

Jorge Esteban Ponce<\/strong>, Universidad de las Am\u00e9ricas, Ecuador<\/p>\n

 <\/p>\n

Lea aqu\u00ed el art\u00edculo<\/strong><\/a><\/h4>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image source=\u00bbexternal_link\u00bb onclick=\u00bbcustom_link\u00bb img_link_target=\u00bb_blank\u00bb custom_src=\u00bbhttps:\/\/gallery.mailchimp.com\/8c8b50f6e2ac1c71b4789cd5c\/images\/eb3fc938-407c-4d6d-b000-e3e6c0a11d1e.jpg\u00bb link=\u00bbhttps:\/\/revistas.uniandes.edu.co\/doi\/full\/10.25025\/hart03.2018.12″][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<\/p>\n

Cuestionario sobre historia del arte<\/span><\/a><\/h2>\n

David Freedberg
\nUniversidad de Columbia, Estados Unidos<\/p>\n

 <\/p>\n

Lea aqu\u00ed el cuestionario<\/strong><\/a><\/h4>\n

[\/vc_column_text][vc_single_image source=\u00bbexternal_link\u00bb onclick=\u00bbcustom_link\u00bb img_link_target=\u00bb_blank\u00bb custom_src=\u00bbhttps:\/\/gallery.mailchimp.com\/8c8b50f6e2ac1c71b4789cd5c\/images\/92ca184c-0e2d-4f61-990c-b5d1b3991b93.jpg\u00bb link=\u00bbhttps:\/\/revistas.uniandes.edu.co\/doi\/full\/10.25025\/hart03.2018.13″][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<\/p>\n

Rese\u00f1a<\/h2>\n

\u201cR\u00edos y silencios\u201d de Juan Manuel Echavarr\u00eda\u00bb<\/a><\/h3>\n

Elkin Rubiano<\/strong>, Universidad Jorge Tadeo Lozano (Bogot\u00e1, Colombia)[\/vc_column_text]<\/p>\n

 <\/p>\n

Lea aqu\u00ed la rese\u00f1a<\/strong><\/a><\/h4>\n

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