{"id":18314,"date":"2023-08-01T20:47:11","date_gmt":"2023-08-02T01:47:11","guid":{"rendered":"https:\/\/musica.uniandes.edu.co\/?p=18314"},"modified":"2023-11-14T17:04:14","modified_gmt":"2023-11-14T22:04:14","slug":"tambores-de-libertad-musica-y-reconciliacion-en-libertad-sucre","status":"publish","type":"post","link":"https:\/\/old.facartes.uniandes.edu.co\/musica-sitio-web\/musica\/tambores-de-libertad-musica-y-reconciliacion-en-libertad-sucre\/","title":{"rendered":"Podcast – Tambores de Libertad: m\u00fasica y reconciliaci\u00f3n en Libertad (Sucre)"},"content":{"rendered":"

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Podcast
\n<\/strong>Tambores de Libertad:<\/span>
\n<\/strong><\/span>M\u00fasica y reconciliaci\u00f3n en<\/span> Libertad (Sucre)<\/strong><\/span><\/h1>\n

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\u201cYo vengo de aquellos cerros donde la nubes lloraban, viendo que debajo de ellas la sangre se derramaba\u201d<\/strong><\/h1>\n

<\/h1>\n

Voces de Mamb\u00fa de Afro-M\u00fasica, EP Voces de <\/span>Mamb\u00fa<\/span><\/em>, 2018.<\/h4>\n

[\/vc_column_text][\/vc_column_inner][vc_column_inner width=\u00bb1\/6″][\/vc_column_inner][\/vc_row_inner][vc_separator color=\u00bbblack\u00bb][\/vc_column][\/vc_row][vc_row][vc_column css=\u00bb.vc_custom_1689105862852{background-color: #6b6b6b !important;}\u00bb][vc_column_text css=\u00bb.vc_custom_1691169604216{padding-right: 15px !important;padding-left: 15px !important;}\u00bb]<\/p>\n

Una comunidad afro en el Caribe colombiano<\/strong>, el flagelo de la violencia, un proceso de reparaci\u00f3n colectiva y l\u00edderes culturales colmados de \u00e1nimo y creatividad. En Libertad, zona rural de San Onofre (Sucre), la revitalizaci\u00f3n de las m\u00fasicas tradicionales ha sido una herramienta poderosa para resarcir los da\u00f1os causados por el conflicto armado.<\/span><\/h3>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row content_placement=\u00bbtop\u00bb u_row_style=\u00bb0″ u_row_paralax=\u00bb0″ u_row_scheme=\u00bb0″][vc_column width=\u00bb1\/2″ css=\u00bb.vc_custom_1689105862852{background-color: #6b6b6b !important;}\u00bb][vc_column_text css=\u00bb.vc_custom_1698719120642{padding-right: 15px !important;padding-left: 15px !important;}\u00bb]<\/p>\n

En este podcast el bullerengue y el hip-hop conversan y se encuentran desde la experiencia contempor\u00e1nea. Desde ni\u00f1os hasta adultos mayores trabajan en conjunto para hacer realidad el sue\u00f1o de la paz.<\/span><\/h3>\n

[\/vc_column_text][\/vc_column][vc_column width=\u00bb1\/2″][vc_single_image source=\u00bbexternal_link\u00bb external_img_size=\u00bbfull\u00bb alignment=\u00bbcenter\u00bb custom_src=\u00bbhttps:\/\/old.facartes.uniandes.edu.co\/wp-content\/uploads\/2023\/07\/cic-rojas-2.jpg\u00bb css=\u00bb.vc_custom_1698960018367{margin-top: 10px !important;}\u00bb][\/vc_column][\/vc_row][vc_row][vc_column css=\u00bb.vc_custom_1689105862852{background-color: #6b6b6b !important;}\u00bb][vc_column_text css=\u00bb.vc_custom_1695777856344{padding-right: 15px !important;padding-left: 15px !important;}\u00bb]<\/p>\n

Agradecimientos especiales a Leocadio Banquez Estremor, Faris Leonardo R\u00edos Ruiz, Domingo Arias Estremor, Isabel Mart\u00ednez de Guzm\u00e1n, Luis Miguel Caraballo Estremor, Mar\u00eda Alejandra Torres Sarmiento y Rafael Ramos Caraballo.<\/span><\/h3>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column css=\u00bb.vc_custom_1689105862852{background-color: #6b6b6b !important;}\u00bb][vc_column_text css=\u00bb.vc_custom_1698720272977{padding-right: 15px !important;padding-left: 15px !important;}\u00bb]<\/p>\n

M\u00fasica<\/span><\/span><\/strong><\/h2>\n

\u201cSupervivientes\u201d. Bullenrap, sencillo, 2021.<\/a><\/span><\/p>\n

\u201cVoces de Mamb\u00fa\u201d. Afro-M\u00fasica, EP Voces de <\/span>Mamb\u00fa<\/span><\/em>, 2018.<\/a><\/span><\/p>\n

\u201cLa maya\u201d. Pa\u00edto y los Gaiteros de Punta Brava, LP La Flor del <\/span>Mel\u00f3n<\/span><\/em>, 2009.<\/a><\/span><\/p>\n

\u201cMujeres\u201d. Isabel Mart\u00ednez \u201cChabelo\u201d, grabaci\u00f3n de campo de Juan Sebasti\u00e1n Rojas, 2022<\/a>.<\/span><\/p>\n

\u201cGolpe de chalupa\u201d. Emilsen Pacheco, LP \u00a1Bulla!<\/span><\/em>, 2009.<\/a><\/span><\/p>\n

\u201cEn la playa de Sabaneta\u201d. Afro-M\u00fasica en los Montes de Mar\u00eda, grabaci\u00f3n de campo de Juan Sebasti\u00e1n Rojas, 2016.<\/a><\/span><\/p>\n

\u201cSe viene la paz\u201d. Afro-M\u00fasica en los Montes de Mar\u00eda, grabaci\u00f3n de campo de Juan Sebasti\u00e1n Rojas, 2016.<\/span><\/a><\/span><\/p>\n

\u201cSupervivientes\u201d. Bullenrap, sencillo, 2021.<\/a><\/span><\/p>\n

\u201cLa loca\u201d. Isabel Mart\u00ednez \u201cChabelo\u201d, grabaci\u00f3n de campo de Juan Sebasti\u00e1n Rojas, 2022.<\/a><\/span><\/p>\n

\u201cThe message\u201d. Grandmaster Flash and the Furious Five, LP The Message<\/em>,<\/span> 1982.<\/a><\/span><\/p>\n

\u201cMarianita\u201d. Jos\u00e9 de la Cruz Sarmiento, LP Sonidos en la Ruta de <\/span>Jaguar<\/em>, ca. 2013.<\/a><\/span><\/p>\n

\u201cBullenrap\u201d. Afro-M\u00fasica en los Montes de Mar\u00eda, sencillo, 2015.<\/a><\/span><\/p>\n

\u201cVoces de Mamb\u00fa\u201d. Afro-M\u00fasica, EP Voces de <\/span>Mamb\u00fa<\/span><\/em>, 2018.<\/a><\/span><\/p>\n

\u201cYa me duele\u201d. Bullenrap, LP Los Bullenraperos de Colombia<\/em>, 2021.<\/a><\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][\/vc_column][\/vc_row][vc_row u_row_style=\u00bb0″ u_row_paralax=\u00bb0″ u_row_scheme=\u00bb0″ css=\u00bb.vc_custom_1689106817572{border-top-width: 1px !important;border-right-width: 1px !important;border-bottom-width: 1px !important;border-left-width: 1px !important;border-left-color: #000000 !important;border-left-style: solid !important;border-right-color: #000000 !important;border-right-style: solid !important;border-top-color: #000000 !important;border-top-style: solid !important;border-bottom-color: #000000 !important;border-bottom-style: solid !important;}\u00bb][vc_column][vc_column_text css=\u00bb.vc_custom_1690937491263{padding-right: 15px !important;padding-left: 15px !important;}\u00bb]<\/p>\n

Ficha t\u00e9cnica<\/strong><\/span><\/h2>\n

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Idea original, investigaci\u00f3n, realizaci\u00f3n y producci\u00f3n: Juan Sebasti\u00e1n Rojas<\/a><\/span><\/strong><\/p>\n

Post-producci\u00f3n: Juan Sebasti\u00e1n Rojas<\/p>\n

Finalizaci\u00f3n y masterizaci\u00f3n: Daniel Restrepo<\/p>\n

Producci\u00f3n ejecutiva: Centro de Investigaci\u00f3n y Creaci\u00f3n de la Facultad de Artes y Humanidades, Universidad de los Andes<\/a><\/span><\/strong><\/p>\n

[\/vc_column_text][vc_empty_space height=\u00bb10px\u00bb][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=\u00bb18320″ img_size=\u00bbfull\u00bb][vc_column_text]<\/p>\n

Fotos por Juan Sebasti\u00e1n Rojas<\/h5>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row u_row_style=\u00bb0″ u_row_paralax=\u00bb0″ u_row_scheme=\u00bb0″ css=\u00bb.vc_custom_1689106817572{border-top-width: 1px !important;border-right-width: 1px !important;border-bottom-width: 1px !important;border-left-width: 1px !important;border-left-color: #000000 !important;border-left-style: solid !important;border-right-color: #000000 !important;border-right-style: solid !important;border-top-color: #000000 !important;border-top-style: solid !important;border-bottom-color: #000000 !important;border-bottom-style: solid !important;}\u00bb][vc_column][vc_empty_space height=\u00bb10px\u00bb][vc_column_text css=\u00bb.vc_custom_1695767062199{padding-right: 15px !important;padding-left: 15px !important;}\u00bb]<\/p>\n

Esta investigaci\u00f3n tambi\u00e9n ha sido publicada en una tesis de doctorado y varios art\u00edculos acad\u00e9micos. El proceso ha tenido el apoyo de Indiana University Bloomington, el Ministerio de Cultura de Colombia y la Universidad de los Andes.<\/strong><\/p>\n

\u201cDrums, Raps, and Song-Games: An Ethnography of Music and Peacebuilding in the Afro-Colombian Town of Libertad (Sucre)\u201d<\/span><\/a><\/span>,<\/em> explora las posibles contribuciones de las m\u00fasicas, y otras expresiones culturales locales, a procesos de construcci\u00f3n de paz en comunidades afectadas por la violencia.<\/strong><\/p>\n

\u201cM\u00fasicas locales, construcci\u00f3n de paz y post-conflicto: El caso de Libertad (Sucre)\u201d<\/span><\/em><\/a><\/strong>,<\/span><\/span> Revista de Estudios Colombianos 53 (1): 16-33. University of San Diego.<\/strong><\/p>\n

\u201cM\u00fasicas para una paz positiva: empat\u00eda, confianza y cooperaci\u00f3n en la costa caribe colombiana.\u201d<\/em><\/strong><\/span> El Sonido que Seremos: Historias y Pr\u00e1cticas Musicales en Colombia, Sergio Ospina-Romero y Rondy Torres (eds.). Universidad de Los Andes<\/strong>.[\/vc_column_text][vc_empty_space height=\u00bb10px\u00bb][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column width=\u00bb1\/2″][vc_single_image source=\u00bbexternal_link\u00bb external_img_size=\u00bbfull\u00bb alignment=\u00bbright\u00bb custom_src=\u00bbhttps:\/\/musica.uniandes.edu.co\/files\/2023\/08\/CIC-Rojas-4.jpg\u00bb][\/vc_column][vc_column width=\u00bb1\/2″][vc_single_image source=\u00bbexternal_link\u00bb external_img_size=\u00bbfull\u00bb custom_src=\u00bbhttps:\/\/musica.uniandes.edu.co\/files\/2023\/08\/CIC-Rojas-3-1.jpg\u00bb][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

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